Giulia Colletti is currently working as Associate Curator of Chalton Gallery. Her curatorial credits from there include Future Shock, the first solo show of Yoshua Okón in London. She pursued an internship at CCA Centre for Contemporary Art Glasgow and she was assistant curator at OFF Biennale Budapest. She has worked at a number of institutions, including The Hunterian Glasgow, La Biennale di Venezia, and Fondazione Musei Civici di Venezia. She has completed an MLitt in Curatorial Practice at The Glasgow School of Art and integrated her academic education with international residencies at ACSL (Yerevan), Pandeo (Mexico City), and INDEX (Stockholm). She is participating in A Natural Oasis? A Transnational Research Program, initiated by BJCEM. Her research confronts problematic knots of cultural processes, concerning the domain of dispossession, the patriarchal disposition, and the precariousness of cognitive labour. She has written articles that have appeared in Kabul Magazine, Juliet, Exhibart, The Art Review Glasgow, among others.

Recent projects include Conjunctive Tissue, with Marco Giordano, KaOZ (Manifesta12 Collateral); One Missing Sock After Doing Laundry, featuring Elisabetta Benassi, Gabriele De Santis, Tessa Lynch, Iftach Gazit, Scott Myles, Jonathan Monk, David Shrigley, Santo Tolone, Alek O., and Alessandro Vizzini, in partnership with CCA (Glasgow);

On General Antagonism with Eduardo Abarroa and Ross Little, in partnership with The Lab Program, Aeromoto, and Frontera 115 (Mexico City); I See Doors of Opportunity Where Are No Doors, with David Sherry at Civic Room (Glasgow), in partnership with CassArt; In/Human, featuring Kathryn Ashill, Marcel Broodthaers, Sarah Browne, Christian Fogarolli, Micheal Grey, Anja Kirschner & David Panos, The Hunterian, Glasgow.