Konstantin Raftl b. 1996 aka 康弘(=Kānghóng) is a curator and researcher based in Berlin. His intellectual interests include conceiving exhibition spaces as critical zones of radical globality; researching the conflictual interweavement of the global contemporary with the nation-state, the museum, the curatorial and its publics; as well as challenging how the arts can encourage the formation of a global ecological class through collective infrastructure? Together with An Office he co-organized site-specific interventions, exhibitions, and residencies at documenta fifteen, Fotograf Festival and Centrul de Proiecte Timosoara. Kānghóng held positions at Centre Pompidou, I: project space Beijing, Peggy Guggenheim Collection, Studio Olafur Eliasson, Facts & Files, Jewish Community Vienna. He is currently completing a double master’s degree in Art History and Museology at École du Louvre and Heidelberg University writing his second master’s thesis titled “The host is the hostage of the guest; the guest is the hostage of the host: documenta fifteen read as a performative contradiction of hospitality”. Konstantin holds a bachelor’s degree in Art History, Chinese Studies and Political Sciences from FU Berlin. He takes classes in Curating Contemporary Public Art at Gothenburg University, is a repeated visitor of Salzburg International Summer Academy of Fine Arts and receives further inspiration at Berlin University of the Arts.