Irene Campolmi is a curator and researcher based in Copenhagen. Currently, she is preparing a 2020 solo show of Dawit Petros for TPP, Toronto. In 2019, she curated the Performance Program An Endless Present for Enter Art Fair, Copenhagen; a show by Basim Magdy at MAAT, Lisbon; a retrospective of Jesper Just exhibited both at MAAT, Lisbon and Kunsthal Charlottenborg, Copenhagen; a show by Wu Tsang at CC. She co-curated the Estonian Pavilion Birth V. Hi, & Byeby Kris Lemsalu at the 58th Venice Biennial and edited a book on Jesper Just's live performances published by Mousse. In 2018, she curated Talks, Film and Performance Program of Code Art Fair in Copenhagen and the collective show #whatiffor Kunsthal Charlottenborg, Copenhagen with Forensic Architecture, Renzo Martens and Naeem Mohaiemen. Her current research investigates postcolonial ecologies and performance that thinks through postcolonial, queer and feminist theories. In the past, her curatorial research and practice have focused on tracing the narratives supporting the 21st-century displays of those art museums who demonstrated an interest in researching the legacy of untold modern art histories and their influence in contemporary artistic research trends. Before joining the Louisiana Museum of Modern Art in Copenhagen as a PhD Fellow to work on a thesis about the ethics supporting research and curation in modern and contemporary art museums, she was a research fellow in the Max Planck Institute research group "Objects in the Contact Zone: The Cross-Cultural Life of Things".